HE Overdrive Giga3 artfiles.pdf

GigaStudio 3 Instruments

Overdrive

Performance Distortion Guitar

Please note that this manual does not replace the original manual for this edition of the Vienna Symphonic

Library. The patches listed in this manual only concern the additional instrument definitions for Tascam

GigaStudio 3.

01 EG_SHORT-NOTES

Range: B1–F6

COMBINATIONS Bank: 2

EG_short-all_1+2 Prog: 13 Keyswitch: C7–D#8

Piano, medium, and hard short and normal staccato, portato 0.3 sec., 1st and 2nd variations, and 1 sec. without and with

vibrato. Use key switches to change instrument/variation.

Key switches:

C7 – short staccato, piano, var. 1

C#7 – short staccato, piano, var. 2

D7 – short staccato, medium, var.1

D#7 – short staccato, medium, var.2

E7 – short staccato, hard, var. 1

F7 – short staccato, hard, var. 2

F#7 – staccato, piano, var. 1

G7 – staccato, piano, var. 2

G#7 – staccato, medium, var.1

A7 – staccato, medium, var.2

A#7 – staccato, hard, var. 1

B7 – staccato, hard, var. 2

C8 – portato 0.3 sec., var. 1

C#8 – portato 0.3 sec., var. 2

D8 – 1 sec., no vibrato

D#8 – 1 sec., vibrato

02 EG_LONG-NOTES

Range: B1–F6

COMBINATIONS Bank: 2

EG_sus_all+RS_all_4Xmod Prog: 6 Keyswitch: C1–D#1 Modwheel: release type

Sustained, without and with vibrato, and with whammy bar action #1 and #2; with soft/hard/effect #1/effect #2 release

samples. Use key switches to change instrument, the modwheel to switch release type.

Key switches:

C1 – no vibrato

C#1 – vibrato

D1 – whammy bar #1

D#1 – whammy bar #2

Modwheel:

0: soft RS

40: hard RS

88: fx#1 RS

127: fx#2 RS

03 EG_LONG-NOTES_looped

Range: B1–F6

COMBINATIONS Bank: 2

EG-L_sus_all+RS_all_4Xmod Prog: 6 Keyswitch: C1–D#1 Modwheel: release type

Sustained, without and with vibrato, and with whammy bar action #1 and #2; with soft/hard/effect #1/effect #2 release

samples. Use key switches to change instrument, the modwheel to switch release type.

Key switches:

C1 – no vibrato

C#1 – vibrato

D1 – whammy bar #1

D#1 – whammy bar #2

Modwheel:

0: soft RS

40: hard RS

88: fx#1 RS

127: fx#2 RS

p. 2

06 EG_PHRASES

Range: B1–F6

COMBINATIONS Bank: 2

EG_phrases_all Prog: 5 Keyswitch: C7–C#8

Tremolo, trills (half and whole tone, minor and major 3rd), powerchords (4th, 5th, major and minor), and grace noises (on

the same tone and to the octave, whammy bar and whammy bar octave), and whammy bar down. Use key switches to

change articulation. Please note that the instruments have different tone ranges.

Key switches:

C7 – tremolo

C#7 – trill, min. 2nd

D7 – trill, maj. 2nd

D#7 – trill, min. 3rd

E7 – trill, maj. 3rd

F7 – powerchord, 4ths

F#7 – powerchord, 5ths

G7 – powerchord, major

G#7 – powerchord, minor

A7 – grace noise, same note

A#7 – grace noise, octave

B7 – grace noise, whammy bar

C8 – grace noise, whammy bar octave

C#8 – whammy bar down

07 EG_PERF-LEGATO

Performance Tool: Guitar Legato

PlayZone: B1–D6

Octave offset: 1

COMBINATIONS

Bank: 3

EG_perf-leg+slide_mod

Prog: 1

Modwheel: technique

Performance legato, normal and sliding. Use the modwheel to change technique.

Modwheel:

0 – normal

127 – sliding

BLEND COMBINATIONS Bank: 4

These combinations blend into sustained notes with different articulations.

EG_perf-leg_sus+oV_sus_blend (mV/wb1/wb2)

Prog: 1

Prog. 1–4: Performance legato and sustained notes without vibrato/with vibrato/whammy bar #1/whammy bar #2.

EG_perf-leg_slide_sus+oV_sus_blend (mV/wb1/wb2)

Prog: 5

Prog. 5–8: Sliding performance legato and sustained notes without vibrato/with vibrato/whammy bar #1/whammy bar #2.

p. 3

08 EG_PERF-LEGATO_marcato

Performance Tool: Guitar Legato

PlayZone: B1–D6

Octave offset: 1

COMBINATIONS Bank: 1

EG_oV+mV_perf-leg_marc_mod Prog: 1 Modwheel: vibrato

Performance legato, marcato without and with vibrato. Use the modwheel to change technique.

Modwheel:

0 – without vibrato

127 – with vibrato

SUS-BLEND Bank: 2 Modwheel: sustain

With sus-blend instruments, use the modwheel to crossfade into a sustained tone for long end notes.

EG_oV_perf-leg_marc+SB Prog: 1

Performance legato, marcato without vibrato, and sustained.

Modwheel:

0 – marcato, no vibrato

127 – sustained

EG_mV_perf-leg_marc+SB Prog: 2

Performance legato, marcato with vibrato, and sustained.

Modwheel:

0 – marcato, vibrato

127 – sustained

10 EG_PERF-BEND

Performance Tool: Guitar Legato

PlayZone: C2–D6

Octave offset: 1

SUS-BLEND Bank: 3 Modwheel: sustain

With sus-blend instruments, use the modwheel to crossfade into a sustained tone for long end notes.

EG_perf-bend+SB Prog: 1

Half and whole tone performance bends, and sustained notes without vibrato.

Modwheel:

0 – bend

127 – sustained

11 EG_PERF_SUB-REP_8-100

Performance Tool: Repetition Mode

PlayZone: C1–D2

Repetitions: 9

First Keyswitch Delay: 10ms

COMBINATIONS Bank: 1

EG_perf_sub-rep9_8-95_p+f_vel Prog: 1

8ths at 95 BPM, 9 repetition layers, piano and forte.

p. 4

12 EG_PERF_REP_8-100

EG_perf_sub-rep5_8-95_cre+dim_mod

Prog: 2 Modwheel: cresc/dim

8ths at 95 BPM, 5 repetition layers, crescendo and diminuendo. Use the modwheel to switch between crescendo and

diminuendo.

Modwheel:

0 – crescendo

127 – diminuendo

MODWHEEL BLEND

Bank: 2

Modwheel: layer

Use the modwheel to blend between dynamic layers.

EG_perf_sub-rep9_8-95_p+f_2Lay Prog: 1

8ths at 95 BPM, 9 repetition layers, piano and forte.

Modwheel:

0 – p

127 – f

12 EG_PERF_REP_8-100

Performance Tool: Repetition Mode

PlayZone: B1–F6

Repetitions: 9/5

First Keyswitch Delay: 10ms

COMBINATIONS Bank: 1

EG_perf-rep9_8-93_p+mf+f_vel Prog: 1

8ths at 93 BPM, 9 repetition layers, piano, mezzoforte, and forte.

EG_perf-rep5_8-97_cre+dim_mod Prog: 2 Modwheel: cresc/dim

8ths at 97/93 BPM, 5 repetition layers, crescendo and diminuendo. Use the modwheel to switch between crescendo and

diminuendo.

Modwheel:

0 – crescendo

127 – diminuendo

MODWHEEL BLEND

Bank: 2

Modwheel: layer

Use the modwheel to blend between dynamic layers.

EG_perf-rep9_8-93_p+mf+f_3Lay Prog: 1

8ths at 95 BPM, 9 repetition layers, piano, mezzoforte, and forte.

Modwheel:

0 – p

64 – mf

127 – f

p. 5

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