Experimental Painting Inspirational Approaches for Mixed Media Art.pdf

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experimental
painting
inspirational approaches for
mixed media art
Lisa L. Cyr
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experimental
painting
inspirational approaches for
mixed media art
Lisa L. Cyr
CINCINNATI, OHIO
www.artistsnetwork.com
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acknowledgments & dedication
I would like to give special thanks to my wonderful editor Sarah
Laichas and designer Guy Kelly as well as everyone at F+W Media
who participated in the production and promotion of this book. Their
excitement and willingness to embrace my vision makes a project
such as this a true labor of love. In addition, I’d like to give thanks to
my husband Christopher, my daughter Michaela and my two cats
for their patience, understanding and assistance while I worked on
this year-long endeavor. Lastly, I would like to recognize the One who
always walks beside me in my journey, for I am forever His humble
and faithful steward (Matthew 25:23).
I dedicate this book to my two grandmothers, my mother and my
aunt for teaching me at an early age to embrace my creative spirit.
In the spirit of embracing a childlike vision, I also dedicate this book to
the other little fl owers who have graced my life: Lucia, Jacinta, Theresa
and Michaela. They inspire me to see the world with unobstructed
clarity, encouraging me always to play, experiment and explore new
ways to express and share my vision with others.
Title: Self Awareness
Size: 30¼" × 21¼" × 2 3 / 8 " (77cm × 54cm × 6cm )
Mediums: acrylic, oil, ink and graphite
Materials: textured paper, tissue, ephemera, dried ower, gold painted leaf,
decorative metal accents and metal button
Techniques: collage, assemblage, dripping, sanding, scraping, peeling
back, painting knife, tape resist and type transfer
Surfaces: linen canvas over Masonite and board with wooden framework
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contents
chapter 5
transforming the
surface
page 62
introduction
page 6
creative explorations: resists, blotting, lifting and dissolving
chapter 1
process
page 8
utilizing automatism and freeform painting
alternative approaches: creating custom paper
an inside look: costuming, props and theatrical settings
chapter 6
and assemblage
accents
page 84
chapter 2
and development
page 14
creative explorations: faux surfaces, nishes and patinas
chapter 3
unconventional
and tools
page 20
creating custom add-ons using clay
working in bas-relief
an inside look: pluralism and nonlinear storytelling
chapter 7
and series
page 110
creative explorations: altered, repurposed and custom tools
making a customized roller
experimenting with metal and foam substrates
using layered panels with mixed surfaces
chapter 8
creative self-
promotion and
presentation
page 116
employing inlaid boxes
chapter 4
environment
page 38
creative explorations: paper treatments and nishes
using xerography and laser printing
index
page 124
employing additive and subtractive processes
an inside look: symbolism, metaphor and allegory
about the author
page 126
4
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