Malgorzata Hendrykowska - Historia polskiego filmu dokumentalnego 1945-2014.pdf

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Historia polskiego
filmu dokumentalnego
Abstract. Hendrykowska Małgorzata (ed.),
Historia polskiego filmu dokumentalnego (1945–2014)
[History of Polish Documentary Films (1945–2014)]. Poznań 2015. Wydawnictwo Naukowe
Uniwersytetu im. Adama Mickiewicza w Poznaniu [Adam Mickiewicz University Press]. Seria
Filmoznawcza nr 14. Pp. 776, Figs. 223. Texts in Polish with summaries in English.
This is the first historical study on the history of Polish films that presents all of the achieve-
ments of Polish documentary cinema from 1945 to 2014, i.e. from the first post-war experi-
ments in documentary filmmaking, the socialist realist ideological offensive and the beginning
of the Khrushchev Thaw to the modern digital revolution. The authors present an overview
of the most important phenomena and trends of each decade by using a wealth of literature
on the subject. Their intention was to show, in a chronological order, the impressive achieve-
ments of Polish documentary cinema not only in aesthetic terms but also in the context of
politics and through the prism of social and cultural changes, which were often portrayed in
documentary films in the most comprehensive and interesting manner. Many of the chapters
of this book present the outstanding personalities who co-created Polish documentary film
art. The authors also show how Polish documentary film language evolved, i.e. how it was
influenced by television (until a certain point in time), which was the main recipient of docu-
mentaries, and what the consequences of combining documentary elements with dramatic
narrative techniques, i.e. fictional stories, were as well as what impact the digital revolution
had on documentary film language. The volume closes with reflections on the Polish School of
Documentary Cinema, which is marked by an authorial character of narration and a tendency
toward creating a metaphorical picture of the world as well as toward formal inquiry, and on
young documentary filmmakers’ attitude to tradition, especially with regard to the need for
combining this kind of artistic activity with modern market requirements.
Małgorzata Hendrykowska, Uniwersytet im. Adama Mickiewicza w Poznaniu, Wydział Filologii
Polskiej i Klasycznej, Katedra Filmu, Telewizji i Nowych Mediów, ul. Aleksandra Fredry 10,
61-701 Poznań, Poland
Recenzent: prof. dr hab. Tadeusz Szczepański
Publikacja sfinansowana przez Narodowe Centrum Nauki
(grant nr NCN2011/01/B/HS2/01298)
© Uniwersytet im. Adama Mickiewicza w Poznaniu,
Wydawnictwo Naukowe UAM, Poznań 2015
Biblioteka Narodowa
Biblioteka Uniwersytecka w Poznaniu
Filmoteka Narodowa
Katedra Filmu, Telewizji i Nowych Mediów UAM
zbiory prywatne
Przekład streszczeń na język angielski: Anna Mojska
Projekt okładki i stron tytułowych: Ewa Wąsowska
Fotografia na okładce: Mikołaj Jazdon
ISBN 978-83-232-2806-6
ISSN 1642-8595
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