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More Praise for Han Kang’s
The Vegetarian
“A horror story in its depiction of the unknowability of others—of the sudden
feeling that you’ve never actually known someone close to you….Its three-part
structure is brilliant, gradually digging deeper and deeper into darker and darker
places; the writing is spare and haunting; but perhaps most memorable is its
crushing climax, a phantasmagoric yet emotionally true moment that’s surely
one of the year’s most powerful. This is an ingenious, upsetting, and
unforgettable novel.”
—Publishers Weekly (starred review)
“The book insists on a reader’s attention, with an almost hypnotically serene
atmosphere interrupted by surreal images and frighteningly recognizable
moments of ordinary despair. Han writes convincingly of the disruptive power of
longing and the choice to either embrace or deny it, using details that are nearly
fantastical in their strangeness to cut to the heart of the very human experience
of discovering that one is no longer content with life as it is. An unusual and
mesmerizing novel, gracefully written and deeply disturbing.”
—Kirkus Reviews
“Like a small seed, Han Kang’s startling and unforgettable debut goes to work
quietly, but insistently. Her prose is so balanced, so elegant and assured, you
might overlook the depths of this novel’s darkness—do so at your own peril.”
—Colin Winnette, author of Haints Stay and Coyote
“A stunning and beautifully haunting novel. It seems in places as if the very
words on the page are photosynthesizing. I loved this graceful, vivid book.”
—Jess Richards, Costa First Novel Award short-listed author of Snake Ropes
“Poetic and beguiling, and translated with tremendous elegance, The Vegetarian
exhilarates and disturbs.”
—Chloe Aridjis, author of The Book of Clouds
“Dark dreams, simmering tensions, chilling violence…This South Korean novel
is a feast…It is sensual, provocative, and violent, ripe with potent images,
startling colors, and disturbing questions…Sentence by sentence, The Vegetarian
is an extraordinary experience…[It] will be hard to beat.”
—The Guardian
“This is an odd and enthralling novel; its story filled with nihilism but lyricism
too, its writing understated even in its most fevered, violent moments. It has a
surreal and spellbinding quality, especially in its passage on nature and the
physical landscape, so beautiful and so magnificently impervious to the human
suffering around it.”
—Arifa Akbar, The Independent
“This short novel is one of the most startling I have read…Exciting and
imaginative…The author reveals how nature, sex, and art crash through this
polite society…It is the women who are killed for daring to establish their own
identity. The narrative makes it clear it is the crushing pressure of Korean
etiquette which murders them…[A] disturbing book.”
—Julia Pascal, The Independent
“Shocking…The writing throughout is precise and spare, with not a word
wasted. There are no tricks. Han holds the reader in a vice grip…The Vegetarian
quickly settles into a dark, menacing brilliance that is similar to the work of the
gifted Japanese writer Yoko Ogawa in its devastating study of psychological
pain…The Vegetarian is more than a cautionary tale about the brutal treatment of
women: it is a meditation on suffering and grief. It is about escape and how a
dreamer takes flight. Most of all, it is about the emptiness and rage of
discovering there is nothing to be done when all hope and comfort fails….A
work of savage beauty and unnerving physicality.”
—Irish Times
“The Vegetarian is a book about the failures of language and the mysteries of the
physical. Yet its message should not undermine Han’s achievement as a writer.
Like its anti-protagonist,
The Vegetarian
whispers so clearly, it can be heard
across the room, insistently and with devastating, quiet violence.”
—Joanna Walsh, The New Statesman
“[A] strange and ethereal fable, rendered stranger still by the cool precision of
the prose…What is ultimately most troubling about Yeong-hye’s posthuman
fantasies is that they appear to be a reasonable alternative to the world of
repression and denial in which everyone around her exists.”
—Times Literary Supplement
“The Vegetarian is so strange and vivid it left me breathless upon finishing it. I
don’t think I’ve ever read a novel as mouth-wateringly poetic, or as drenched in
hypnotic oddities, taboos, and scandal. It seems to have been plucked out of the
ether, ready-made to take us all by surprise. Exciting and compelling.”
—Lee Rourke, New Humanist
“The Vegetarian combines human violence and the possibility of innocence…
[A] frightening beauty of a novel.”
—British Council Literature
“Uncanny.”
—The Australian
“Kang belongs to a generation of writers who aim to discover secret drives,
ambitions, and miseries behind one’s personal destiny…[The Vegetarian] deals
with violence, sanity, cultural limits, and the value of the human body as the last
refuge and private space.”
—Tiempo Argentino
“[A] bloodcurdlingly beautiful, sinister story.”
—LINDA.
“The almost perverse seduction of this book originates in the poetry of the
images. They are violently erotic and rather nightmarish; the novel is like a room
full of large flowers, where the musky odor takes you by the throat.”
—De groene Amsterdammer
“For the fans of Haruki Murakami.”
—Gazet van Antwerpen (starred review)
“The Vegetarian has an odd kind of silent power that makes you want to finish it
in one go and continue to think about it.”
—NRC Handelsblad (starred review)
“A shocking, moving, and thought-provoking novel.”
—Trouw
“Outright impressive.”
—HUMO
“One of the most impressive novels I have read recently…You need to read this
book.”
—Arnon Grunberg in De Volkskrant
“The Vegetarian is exciting and original.”
—De Standaard der Letteren (starred review)

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