Design Basics - 7e - c 07.pdf

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DESIGN
ELEMENTS
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PART
2
CHAPTER
7
LINE 126
CHAPTER
8
SHAPE/VOLUME 150
CHAPTER
9
PATTERN AND TEXTURE 174
CHAPTER
10
ILLUSION OF SPACE 192
CHAPTER
11
ILLUSION OF MOTION 226
CHAPTER
12
VALUE 238
CHAPTER
13
COLOR 250
125
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Robert Gumpertz. 1986.
© Robert Gumpertz, Mill Valley, California.
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CHAPTER
7
LINE
INTRODUCTION
A Point Set in Motion 128
LINE AS VALUE
Using Lines to Create Dark and Light 140
LINE AND SHAPE
Defi ning Shape and Form 130
LINE IN PAINTING
Outline of Forms 142
TYPES OF LINE
Actual, Implied, and Psychic Lines 132
LINE IN PAINTING
Explicit Line 144
LINE DIRECTION
Horizontal, Vertical, and Diagonal Lines 134
LOST-AND-FOUND CONTOUR
Suggestions of Form 146
CONTOUR AND GESTURE
Precision or Spontaneity 136
INHERENT LINE
Structure of the Rectangle 148
LINE QUALITY
Creating Variety and Emphasis 138
127
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INTRODUCTION
A POINT SET IN MOTION
consists only of the dimension of its length, but, in terms of
art and design, we know line can have varying width as well.
The pathways in A are fashioned from irregular rocks, yet we
instantly perceive the serpentine paths as lines.
What is a line ? If we think of a point as having no dimen-
sions (neither height nor width), and then we set that point
in motion, we create the fi rst dimension: line. In theory, line
A
Richard Long. Five Paths. 2002.
Delabole slate, 61.1
17.4 m.
New Art Centre Sculpture Park
& Gallery, Wiltshire, UK.
B
Raoul Dufy. The Artist’s Studio. c. 1942.
Brush and ink on paper, 1’ 7 5 / 8 ”
2’ 2”
(49.7
66 cm). The Museum of Modern
Art, New York (gift of Mr. and Mrs.
Peter A. Rubel).
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