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A PHILOSOPHY OF CINEMATIC ART
A Philosophy of Cinematic Art
is a systematic study of cinema as an art
form, showing how the medium conditions fundamental features of
cinematic artworks. It discusses the status of cinema as an art form,
whether there is a language of
film,
realism in cinema, cinematic
authorship, intentionalist and constructivist theories of interpretation,
cinematic narration, the role of emotions in responses to
films,
the
possibility of identification with characters, and the nature of the
cinematic medium. Groundbreaking in its coverage of a wide range
of contemporary cinematic media, it analyses not only traditional
photographic
films,
but also digital cinema, and a variety of interactive
cinematic works, including videogames. Written in a clear and acces
sible style, the book examines the work of leading
film
theorists and
philosophers of
film,
and develops a powerful framework with which
to think about cinema as an art.
b e r y s g a u t
is Professor of Philosophy at the University of
St Andrews. He is the author of
Art, Emotion and Ethics
(2007) and
co editor of
The Creation of Art
(2003) and
The Routledge Companion
to Aesthetics
(2nd edn,
2005).
A PHILOSOPHY OF
CINEMATIC ART
BERYS GAUT
cambridge university press
Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi
Cambridge University Press
The Edinburgh Building, Cambridge
cb2
8ru,
UK
Published in the United States of America by Cambridge University Press, New York
www.cambridge.org
Information on this title: www.cambridge.org/9780521529648
© Berys Gaut
2010
This publication is in copyright. Subject to statutory exception
and to the provisions of relevant collective licensing agreements,
no reproduction of any part may take place without the written
permission of Cambridge University Press.
First published
2010
Printed in the United Kingdom at the University Press, Cambridge
A catalogue record for this publication is available from the British Library
isbn
978-0-521-82244-2
Hardback
isbn
978-0-521-52964-8
Paperback
Cambridge University Press has no responsibility for the persistence or
accuracy of URLs for external or third-party Internet websites referred to in
this publication, and does not guarantee that any content on such websites is,
or will remain, accurate or appropriate.

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